Kelsey Elder is an educator & typographer based in Pittsburgh, Pennsylvania.


Selected Projects
Typeface
Personal
2024

Labore VT

Identity/Typeface
Team
2022

Dinner With Strangers

Logotype/Identity
Team
2022

Coterie Baby

Typeface
Personal
2022

Meager 

Identity/Branding
Personal
2021

Second Shift Autowerks

Python/Programming
Teaching
2021

All Possible Arcs

Identity/Branding
Team
2021

Rise Strength

Programming/Motion
Personal
2020

Letter.matter

Exhibition/Lettering
Team
2019

Why Don’t You Carve Other Animals

Supergraphics
Personal
2019

Ameri-Candied Dreams

Exhibition/Lettering
Team
2019

Dead Bird Letters

Lettering
Personal
on-going

Greeting Cards


Archive
Lettering
Personal
on-going

Sketchbook + Outtakes

Branding/Experience
Personal
on-going

Lowered Values

Lettering
Personal
2022

Team Juice

Lettering
Personal
2021

Strong Boys Club

Identity/Branding
Personal
2021

Drinking Buddies

Lettering
Personal
2021

Pint-Sized Power

Programming/Web
Team
2020

A Wedding Website for Friends

Book Design
Team
2016

Simple Forms, Stunning Glazes

Supergraphic
Personal
2016

Fre$h Patina! (of Fool’s Gold)

Programming/Typeface
Personal
2016

Varnish

Sign/Supergraphic
Team
2016

Casualties & Casual Tees



↗︎  About + Bio  
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Mark


Labore VT


Available Soon via Addition Projects

Labore is a result of asking: to what extent can historical material-based research benefit the creation and production of variable font families?

Labore is a variable font that translates relational and proportional systems found in Renaissance-era foundry type into the contemporary era. It currently has one axis for weight, with two additional axes for slant and optical size in production. It is a unitized font; all characters share widths across styles. This design detail affords users the ability to stylize text without disrupting line lengths. Labore is engineered to support 435 languages  that use the Latin script with an extended ‘Omni-Latin’ character set and contains a suite of functional (and fun!) OpenType features.

Labore began during my studies at the Expert class Type Design program at the Plantin Institute for Typography, where I researched the types of Hendrik van den Keere (VDK) at the Museum Plantin Moretus (MPM) in Antwerp, Belgium. I was initially interested in the fact that VDK, unlike his contemporaries, was primarily a typefounder and exclusively worked for the publisher Christophe Plantin during the height of his career and until his untimely death. For Labore, I researched three extreme categories of Van den Keere’s types: texts, displays, and a civilité. The MPM’s profound collection supported my ability to research these styles across a range of sizes and source materials, including punches, matrices, smokeproofs, and printed samples. Each reference was analyzed to identify relations between the glyph’s proportions and stroke relative to body size. The resulting proportional data was translated into a framework to support the creation of a unitized variable font. 

Labore VT will be available through Addition Projects soon. It is currently available for use under an opensource agreement via emailed request.

A .pdf specimen is available : here.










Mark